Editing 7

Following our initial work, once they were all in AfterEffects, we went through each shot one by one and ‘Chromokeyed’ in the background. All of this was very tedious and time consuming but it was a repetitive process, and luckily myself and Lily just got on with it together, so it somewhat relieved a lot of pressure. Eventually, once our textile background was now in place, we began to put them on the timeline with markers, which enabled each background to move – as this was the effect we wished to create. Although, we noticed that some shots were travelling more than others, so we had to continuously make sure there was this balance. However, we did encounter an even bigger problem, many of our blue screen shots seemed fuzzy, this was inevitable as the blue screen we used was a thick, course material, so it was somewhat expected that it ended up looking slightly ‘fuzzy’, nonetheless there was very little we could do about it as this was a technical fault, that was pretty much impossible to completely overcome.